ETHNIC GHETTO E.T. WET SEX SOURCE
E.T. WET SEX:
SEXUALIZED SPACETRAVEL. DEATH COMBINED WITH EROTIC INTENT IN UNDERWEAR. AWAITING SWEATY ACID BLOODED FUCK MOUTH E.T. (ADVANCING)
ENTERING SPACE SUIT TO
RIDLEY SCOTT’S SLOW PAN OF SIGOURNEY WEAVER ENTERING SPACE SUIT IN THE FILM ALIEN (MAYBE)
ETHNIC MUSIC GHETTO:
WHERE WERE YOU? .
RECORDED MARCH 2010 BY BILL DOOB
Arpeggio loops that are maybe guitars pitched up or keyboards? Sounds like its going to be a typical loop pedal party of 'loop a' over 'loop b' so and so on until it's 'intense' and maybe feels 'new age' or something, but instead these remain some sort of song, with the first track sounding like some sort of new romantic / college rock thing complete with misanthropic / apocalyptic lyrics all accompanied by tight drumming.
I imagine this being performed with 'lighting' and maybe even smoke and the singer / guitarist looking at the crowd a lot and never changing their facial expression while they play these dark and brooding guitar lines / loops. In a perfect world the loops would be taken care of by two keyboardists with pale skin, maybe one of them is androgynous.
The second side takes a little bit of a turn (unfortunate for me because i was having so much fun imagining their 1983 stage show). The structural use of the looping is traded in for minimal piano and reverbed out vocals that chase the melody played on the keyboard and, along with the melancholy, has traces of some consonance. The next track fulfills my dreams of darkness, dropping a textural metallic steam bath that morphs into a loose poetry like sing songy bit that feels like it was recorded three inches off the ground making everything wobbly and a little out of focus.
I would really like to see what this is like live!
Makes me feel WEIRD.
:from CASSETTE GODS REVIEWS